A full house for save the National Glass Centre’s campaign public meeting

By Jo Howell 25th June 2023
Glide around St Peters church, the birthplace of stained glass once the Romans left. Video by Phil Vickery

On a balmy summer night on 22nd June 2023, Sunderland citizens came from all across the city to St Peter’s church. This was the first public meeting of the save the National glass centre campaign. We had 30 people book through our eventbrite, but closer to 100 actually attended.

During the week I had visited Sunderland central MP Julie Elliott. I had invited JE to the meeting, but unfortunately she was busy. After an hour of conversation it was clear JE could support the fight to save the essence of glass making, but was adamant that the building of the National Glass Centre had not been beneficial for Sunderland, and that we should support the University line. I requested a statement for the blog. This is still pending.

On the day of our meeting the 20th Century Society, for the protection of at risk 20th century buildings, wrote a fantastic article in support of our grassroots campaign. More support and much needed publicity. You can read their article here:

20th Century Society back save the National Glass Centre Campaign

C20 society article screenshot by Jo Howell

I also met with senior management from the University to further question statements made in the report. The estates manager confirmed that recent work to remove the metal from the riverside of the glass centre had resolved structural integrity problems.

Furthermore, the services like the heat exchange, furnaces, and utilities systems are all nearing end of life. I have requested further information about the ‘end of life’ equipment. As I believe this will be a key factor in exactly what is saved.

Photograph by Chris Howson

We had a lot of passion in that church during our public meeting. Emotions were running high. The awesome setting struck a cord with all of us. How tragic it would be to end 1350 years of glass making tradition in the North East? There were tears, there was laughter, there was unity, there was outrage, and there were outpourings of love from every speaker.

Jo Howell:
Photo by Phil Vickery, glass blower

I opened the evening with a brief introduction to who I am, what we’ve managed to achieve in the campaign so far, and a statement provided by Sunderland University.

See below:

“The University has always been clear that the search for a new home, or homes, is an opportunity for the National Glass Centre’s work to reach new audiences in a financially secure and sustainable manner, rather than just seeking to recreate the status quo. Such future-facing work had already begun with staff even before the building issues made clear that a move was necessary.

“We remain in active and positive discussions with key partners, including Sunderland City Council, about future site options.

“On the future of the current NGC building and site, no decisions have yet been made.

“National Glass Centre and the Northern Gallery for Contemporary Art will remain open in the current building for the next 2-3 years, continuing to welcome visitors to a year-round programme of exhibitions and opportunities to take part in creative experiences.”

Katherine McLeod, Sunderland University, 22/06/23
Photo by Jo Howell

My quick introduction was followed up by Joanna Willets from Unison’s Sunderland University branch, who is in full support of the campaign on behalf of the staff; and she outlined why the unions are United with us.

Unison have put £500 into the campaign to support advertising, printouts, and other campaign costs. Joanna invited people to unionise, and explained how morale across staff in the national glass centre was fairly low due to the immense uncertainty around the future.

Joanna Willets:
Photo by Phil Vickery

Chris Howson took the microphone for a moment to express how much his own family appreciated the National Glass Centre. And, he told the crowd of a successful campaign in Bradford, where a building had been marked for destruction but a community show of love turned the tide.

We will be including some of these ideas in our future events. Unity and love will be our primary weapons.

It is accepted and understood that Sunderland University cannot be expected to financially carry a building that is no longer part of their academic vision. What was very clear from the meeting was that there was a strong desire for amicable solutions that ultimately would benefit the City and the University by transferring custodianship. It is clear that the building and its contents are viewed by Sunderland University as a financial millstone.

This dim view of the National Glass Centre is not shared by the people attending the public meeting. The main takeaway being that the National Glass Centre is fundamentally, globally and locally, an important cultural leader.

The National Glass Centre was created as a beacon of hope for the people of the river Wear when shipbuilding was finally killed off. And, it was very successful in providing people from all levels of the city’s population a route out of poverty and depression.

Save the National Glass Centre collage by Jo Howell
Chris Howson:
Photo by Phil Vickery

A lot of members of the audience wanted to share their own impassioned experiences of why the National Glass Centre was so important to them. There were previous employees, current staff, friends of the glass centre, students, family of students, cultural workers, politicians, councillors, glass blowers, artists, construction professionals, legal professionals, heritage professionals, campaign professionals, and even an ex mayor!

And, so many more fantastically useful people, all willing to help in any way they can!

What did people say at save the National Glass Centre public meeting?

The below list is as much as I can recall from the meeting. The meeting overran by nearly an hour, and there were many people who wanted to speak. Each and every viewpoint was clearly heartfelt, and many came with their own suggestions of how we could save the building and the skill set housed inside.

  • The building is unique, and impressive.
  • Glass blowing is an endangered craft.
    • Sunderland has a prestigious and long heritage of glass making. How can we ignore 1350 years of continuous skill in this City?
  • They do not want to lose an important part of their cultural identity.
  • They are extremely proud of the National glass centre.
  • The building has hosted internationally famous artists during programs like the Glass Exchange. It has a global draw, of which no other venue can boast.
  • It is wasteful to destroy such a young building.
  • There are still a lot of questions surrounding the maintenance of the building. Many noting that regular painting would have avoided catastrophic rust.
  • A commitment has been made by several attendees to further work on the save the National Glass Centre campaign.
  • Could Sunderland Culture, as an Arts Council NPO seek to take over custodianship?
  • Funds could be raised via crowdfunding, diversifying income streams, adopt a furnace, and/or levelling up fund (apparently Sunderland has only accessed 12% of it’s levelling up allocations).
  • There are concerns that the intent is to demolish one of our best assets.
  • If the building is donated back to the people via a suitable local organisation, all it embodies can be saved for future generations.
  • If properly invested in, the National Glass Centre could create an ambitious cross industry program to research the most efficient and sustainable way of making glass.
  • Demolition would have a high carbon cost. Can this be justified?
  • Other glass blowing courses and studios have closed. The National Glass Centre could have far more students, and potential hirers of equipment because of this.
  • It is worrisome that the dilution, and vast reduction of the current provision isn’t being questioned by more MPs and councillors.
  • There will be a huge loss of opportunity.
  • The city will lose highly skilled workers.
  • The loss of the National Glass Centre will effect our ability to level up.
  • Students are worried about being able to complete their studies.
  • Morale is currently low in the centre.
  • Questions surround Sunderland University’s proposed financial numbers in the online report. We are seeking more information.
  • How will our young access their cultural heritage with glass?
  • Worried about losing studio spaces, equipment, staff, specialists, and skills.
Inside St Peter’s church in Roker, by Phil Vickery

What happens next?

Time to organise our campaign and divvy out jobs!

Those who emailed, I will contact and organise a follow up so that we can form a crack team! With this team of knowledgeable people we will have the most effective campaign possible.

There’s still time to email if you want to form part of the steering group. Email:

Savethengc@gmail.com

Initially we will start with a monthly meeting on the 3rd Thursday of the month. Venue TBC.

Thank you for your support. Spread the word. Email, write to, or phone your MP. Write to the culture minister. Write to Sunderland University. Tell everyone to visit the National Glass Centre to show their support. The staff need to know we value them. Without the skilled people the National Glass Centre is just a groovy ship shaped box. But with them, the National Glass Centre is something important to be cherished.

#SaveTheNationalGlassCentre

#SaveTheNGC

International artists for #SaveTheNGC

As the campaign reaches further and further afield, people from all over the world have offered their support.

Photo by Michael Janis 2012

The national glass centre in Sunderland has a global reach. The world of glass artists and artisans is fairly small and well connected. Many have reached out to tell us of their dismay at the peril the National Glass centre’s news of closure and relocation.

There is a lot of unrest and concern surrounding the loss of heritage craft. International researchers who the NGC and the university draw into the city, will no longer have any reason to come here.

Why is this important?

Back in 2011 Creative Cohesion headed a glass exchange program with Washington DC Glass, our sister City. The link between Washington DC and Washington in the North East goes back to the president, George Washington, for whom both were named. In conjunction with creative cohesion and the National Glass Centre lots of local artists benefited from the exchange, and we have kept lasting friendships with our Washington DC colleagues.

Without those organisations, and the magnetic draw of the national glass centre for research, we wouldn’t have had any of the opportunities that we have enjoyed since that program. International trade, introduction to the American market, skills shares, exhibitions, conferences and so much more.

Photo by Michael Janis 2012

Please read Michael Janis’ blog from the time. It has recently passed 11 years since their visit, and it still resonates with everyone who was privileged enough to be involved.

https://fulbright.org/2021/07/19/strong-heart-of-glass-michael-janis-united-kingdom-2012/

Besides working with the University students and faculty, we also were able to create informal workshops on how technology and social media is changing the art world. These talks were extremely popular – with the standing room only audiences that came from the student body of the University as well as working artists from Sunderland, Newcastle, and as far away as Edinburgh, Scotland. The audience stayed long after the talk, and topics from the discussions continued to come up during our entire Fulbright program stay (and indeed, afterwards via the internet) showing the strong relevance of the concepts.

Since our mission, we were invited to show as artists at galleries in London and at the Sunderland Museum, and we had the Sunderland artists featured in an international exhibit held in Washington, DC the following year.

While our mission as Fulbright Scholars was to impart information, we left having learned many lessons.

Michael Janis, Fulbright Scholarship
Photo by Michael Janis 2012

These artist exchange programs and research fellowships are the life blood of creativity in Sunderland. They are one of the few things that has global reach and appeal. Without this amazing national institution and it’s powerful ethos of exchange and support, how can somewhere like Sunderland truly level up?

We don’t pick and choose our heritage or our culture. It grows as a natural response to our history and how we view our future. Up until last year the National Glass Centre was still being billed as the gem in Sunderland’s crown. There have been many recent project’s highlighting our glass heritage People’s Pyrex, art deco Joblings glass, Love Pyrex. To name just a few.

Michael Janis 2012

Glass is still very much at the heart of Sunderland. We need to work together to make it known that the National glass centre, and all it embodies, is cherished and respected the world over.

To deny public consultation on such important local issues is culturally insensitive at best, and woefully ignorant of the community’s they serve at worse.

Do you have a story about the National Glass centre? We are actively looking for articles to publish on the blog to keep up the momentum we have built so far.

Thank you for reading! Sign our petition. Share far and wide!

http://washingtonglassschool.com/